1. Baishey Shravana (1960)
Drama
The time is immediately before World War II. The place a remote village in Bengal. Priyanath, a middle aged man and the last offspring of a once wealthy family, gets married to a lovely teenage girl to please his widowed mother. Overcoming the initial inhibitions, he starts enjoying the happiness of a normal married life.
Life continues to be a struggle for Priyanath. He earns a livelihood by hawking motley wares in the local trains. One day, when he is away with his wife Malati to a village fair, a violent storm brings down the roof in his mother’s room and kills her. Priyanath loses his job too for not keeping up with the younger hawkers. The couple is exposed to the events happening outside. The war comes and brings famine in its wake. There is a mass exodus from the village but Priyanath refuses to leave his home.
After three days of starvation, one day, when Priyanath finally manages to get some rice, he eats his food with an animal like greed without leaving anything for his wife. Malati can stand starvation, but cannot accept her husband’s new selfishness. Their relationship gets increasingly embittered. After another confrontation, Priyanath leaves home and finds his wife dead on return.
Cast
Gyanesh Mukherjee
Madhabi Mukherjee
Hemangini Devi
Umanath Bhattacharya
Sumita Dasgupta
Anup Kumar
Rajyalakshmi
Asha Devi
Bharati Bannerjee
2. Bhuvan Shome (1969)
Drama
Bhuvan Shome is a lonely widower, a proud old man and a strict disciplinarian. Looking back on the trodden path, strewn with staunch determination and drab attitudes, Bhuvan Shome, a throughtly unenchanted man, seeks escape in a holiday. Off to duck shooting in Gujarat, Bhuvan Shome little ralises that the rejuvenation adventure would hurl him into a world so apart that he would find it the most joyful experience in his life. His new world consists of simple, uninitiated village folks, a bullock-cart drive, marauding buffalo and Gouri. In Gouri, Bhuvan Shome finds a fresh, throbbing pulse in a dying world. And suddenly everything lights up, perhaps heightening his sense of isolation, in his new found joy.
Cast
Amitabh Bachchan ... Commentator (voice) (as Amitabh)
Utpal Dutt ... Bhuvan Shome
Suhasini Mulay ... Gauri
Shekhar Chatterjee
Sadhu Meher ... Jadhav Patel
Punya Das
Rochak Pandit
3. Interview (1970)
Drama
Ranjit Mullick is a smart personable young man. A friend of the family, who works in a foreign firm, has assured him of a lucrative job in his firm. All Ranjit has to do is to appear in an interview, dressed in a western style suit.
It seems a simple task, but fate wills otherwise. A strike by a labour Union means that he can't get his suit back from the laundry. His father's old suit won't fit him. He borrows a suit but loses it in a fracas. Ultimately he has to go to the interview dressed in the traditional Bengali Dhoti and Kurta (Dhuti-Panjabi).
This film is considered to be the first film of Mrinal Sen's Calcutta trilogy, the others being Calcutta 71, and Padatik.
Cast
Karuna Bannerjee
Ranjit Mullik ... Ranjit
4. Khandhar (1984)
Drama
Three friends from the city visit some ruins where an aged mother (Gita Sen) and her daughter Jamini (Shabana Azmi) live. Mother awaits the arrival of a distant cousin to marry Jamini but the man is already married and living in Calcutta. The photographer Subhash (Naseeruddin Shah) takes pity on the family and pretends to be the awaited suitor. The mother dies contented but when the threesome leave again, Jamini stays behind facing a life of loneliness in the ruins. The movie is based on a short story of Prememdra Mitra, noted author, film director and film producer, called 'Telenapota Abiskar' (Discovering Telenapota).
Cast
Shabana
Azmi ... Jamini
Annu Kapoor ... Anil
Pankaj Kapur ... Dipu
Sreela Majumdar
Gita Sen ... The mother
Naseeruddin Shah ... Subhash
Rajen Tarafder
5. Kharij (1982)
Kharij
Drama
Kharij opens with a sequence where a small child comes to work in the household of a middle-class family. The couple are both working, and have a small lovable child. A few sequences later, the scene of action moves to the kitchen. The kitchen is locked from inside. The previous night, the servant had gone to sleep in the kitchen ( usually he sleeps in the basement of the house) and is not answering the frantic calls of his master and other members of the household. After trying for quite a while, the door is broken and the boy is found to be lying in an unconscious state. The doctor is called, who announces the child to be dead. As it is a case of unnatural death, the police is called. By now, inquisitive neighbors have already got wind of the incident, and have converged as a crowd in front of the couple's residence. Some sympathetic neighbors comes to help the couple in this crisis. Police arrives and takes stock of the situation. They conduct their routine investigations, and takes the body of the boy for "postmortem." The husband will have to report to Police Station in the evenings. A helpful neighbor, sensing it to be a complicated case, advises the husband to consult a reputed lawyer to prevent him from getting implicated in legal wrangling. When the husband goes to the lawyer, the lawyer exposes the husband's false claims of treating the servant-boy as one of their family members.
When the deceased boy's father comes to the couple's house to take his son's monthly salary, he receives the shattering news of his son's demise from the other small boy working in the household. When the couple actually goes to meet the servant's father, the man breaks down and naturally, is inconsolable. Some of the sequences are indeed very touching. When the deceased boy's father has to stay that night in the couple's house, the couple sets up a nice bed for him at night, full of warm quilt and thick mattresses. However, the boy's father's sentiments prevented him from availing of such luxury, and he said that he would like to sleep in the kitchen where his son was found dead sleeping.
Post-mortem gives verdict that the boy has died from carbon-monoxide formation. The boy had gone to a late night film show the previous night, and returned around midnight to the house. When he felt that it was cold, he went to sleep in the kitchen (normally he slept in the basement). There was no ventilation in the kitchen room, and the charcoal cooking item was dimly burning. Ignorant of the perils of sleeping without proper ventilation, the servant succumbs in his sleep. After the postmortem report, the boy is taken to the burning Ghat and set aflame.
The denouement sees the hapless father finally asking permission from the couple to return to his home in the village.
Cast
Anjan Dutt ... Anjan Sen
Mamata Shankar ... Mamata Sen
Sreela Majumdar ... Sreeja
Indranil Moitra ... Pupai
Dehapratim Das Gupta ... Hari
Nilotpal Dey ... Inspector
Charuprakash Ghosh ... Lawyer
Debatosh Ghosh
Gita Sen ... Helpful neighbor
Sunil Mukherjee ... Curious neighborhood onlooker
Bimal Chatterjee
Ramen Roy Chowdhuri
Binoy Laturi
Drama
The time is immediately before World War II. The place a remote village in Bengal. Priyanath, a middle aged man and the last offspring of a once wealthy family, gets married to a lovely teenage girl to please his widowed mother. Overcoming the initial inhibitions, he starts enjoying the happiness of a normal married life.
Life continues to be a struggle for Priyanath. He earns a livelihood by hawking motley wares in the local trains. One day, when he is away with his wife Malati to a village fair, a violent storm brings down the roof in his mother’s room and kills her. Priyanath loses his job too for not keeping up with the younger hawkers. The couple is exposed to the events happening outside. The war comes and brings famine in its wake. There is a mass exodus from the village but Priyanath refuses to leave his home.
After three days of starvation, one day, when Priyanath finally manages to get some rice, he eats his food with an animal like greed without leaving anything for his wife. Malati can stand starvation, but cannot accept her husband’s new selfishness. Their relationship gets increasingly embittered. After another confrontation, Priyanath leaves home and finds his wife dead on return.
Cast
Gyanesh Mukherjee
Madhabi Mukherjee
Hemangini Devi
Umanath Bhattacharya
Sumita Dasgupta
Anup Kumar
Rajyalakshmi
Asha Devi
Bharati Bannerjee
2. Bhuvan Shome (1969)
Drama
Bhuvan Shome is a lonely widower, a proud old man and a strict disciplinarian. Looking back on the trodden path, strewn with staunch determination and drab attitudes, Bhuvan Shome, a throughtly unenchanted man, seeks escape in a holiday. Off to duck shooting in Gujarat, Bhuvan Shome little ralises that the rejuvenation adventure would hurl him into a world so apart that he would find it the most joyful experience in his life. His new world consists of simple, uninitiated village folks, a bullock-cart drive, marauding buffalo and Gouri. In Gouri, Bhuvan Shome finds a fresh, throbbing pulse in a dying world. And suddenly everything lights up, perhaps heightening his sense of isolation, in his new found joy.
Cast
Amitabh Bachchan ... Commentator (voice) (as Amitabh)
Utpal Dutt ... Bhuvan Shome
Suhasini Mulay ... Gauri
Shekhar Chatterjee
Sadhu Meher ... Jadhav Patel
Punya Das
Rochak Pandit
3. Interview (1970)
Drama
Ranjit Mullick is a smart personable young man. A friend of the family, who works in a foreign firm, has assured him of a lucrative job in his firm. All Ranjit has to do is to appear in an interview, dressed in a western style suit.
It seems a simple task, but fate wills otherwise. A strike by a labour Union means that he can't get his suit back from the laundry. His father's old suit won't fit him. He borrows a suit but loses it in a fracas. Ultimately he has to go to the interview dressed in the traditional Bengali Dhoti and Kurta (Dhuti-Panjabi).
This film is considered to be the first film of Mrinal Sen's Calcutta trilogy, the others being Calcutta 71, and Padatik.
Cast
Karuna Bannerjee
Ranjit Mullik ... Ranjit
4. Khandhar (1984)
Drama
Three friends from the city visit some ruins where an aged mother (Gita Sen) and her daughter Jamini (Shabana Azmi) live. Mother awaits the arrival of a distant cousin to marry Jamini but the man is already married and living in Calcutta. The photographer Subhash (Naseeruddin Shah) takes pity on the family and pretends to be the awaited suitor. The mother dies contented but when the threesome leave again, Jamini stays behind facing a life of loneliness in the ruins. The movie is based on a short story of Prememdra Mitra, noted author, film director and film producer, called 'Telenapota Abiskar' (Discovering Telenapota).
Cast
Shabana
Azmi ... Jamini
Annu Kapoor ... Anil
Pankaj Kapur ... Dipu
Sreela Majumdar
Gita Sen ... The mother
Naseeruddin Shah ... Subhash
Rajen Tarafder
5. Kharij (1982)
Kharij
Drama
Kharij opens with a sequence where a small child comes to work in the household of a middle-class family. The couple are both working, and have a small lovable child. A few sequences later, the scene of action moves to the kitchen. The kitchen is locked from inside. The previous night, the servant had gone to sleep in the kitchen ( usually he sleeps in the basement of the house) and is not answering the frantic calls of his master and other members of the household. After trying for quite a while, the door is broken and the boy is found to be lying in an unconscious state. The doctor is called, who announces the child to be dead. As it is a case of unnatural death, the police is called. By now, inquisitive neighbors have already got wind of the incident, and have converged as a crowd in front of the couple's residence. Some sympathetic neighbors comes to help the couple in this crisis. Police arrives and takes stock of the situation. They conduct their routine investigations, and takes the body of the boy for "postmortem." The husband will have to report to Police Station in the evenings. A helpful neighbor, sensing it to be a complicated case, advises the husband to consult a reputed lawyer to prevent him from getting implicated in legal wrangling. When the husband goes to the lawyer, the lawyer exposes the husband's false claims of treating the servant-boy as one of their family members.
When the deceased boy's father comes to the couple's house to take his son's monthly salary, he receives the shattering news of his son's demise from the other small boy working in the household. When the couple actually goes to meet the servant's father, the man breaks down and naturally, is inconsolable. Some of the sequences are indeed very touching. When the deceased boy's father has to stay that night in the couple's house, the couple sets up a nice bed for him at night, full of warm quilt and thick mattresses. However, the boy's father's sentiments prevented him from availing of such luxury, and he said that he would like to sleep in the kitchen where his son was found dead sleeping.
Post-mortem gives verdict that the boy has died from carbon-monoxide formation. The boy had gone to a late night film show the previous night, and returned around midnight to the house. When he felt that it was cold, he went to sleep in the kitchen (normally he slept in the basement). There was no ventilation in the kitchen room, and the charcoal cooking item was dimly burning. Ignorant of the perils of sleeping without proper ventilation, the servant succumbs in his sleep. After the postmortem report, the boy is taken to the burning Ghat and set aflame.
The denouement sees the hapless father finally asking permission from the couple to return to his home in the village.
Cast
Anjan Dutt ... Anjan Sen
Mamata Shankar ... Mamata Sen
Sreela Majumdar ... Sreeja
Indranil Moitra ... Pupai
Dehapratim Das Gupta ... Hari
Nilotpal Dey ... Inspector
Charuprakash Ghosh ... Lawyer
Debatosh Ghosh
Gita Sen ... Helpful neighbor
Sunil Mukherjee ... Curious neighborhood onlooker
Bimal Chatterjee
Ramen Roy Chowdhuri
Binoy Laturi
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